# Exact text and tactile routes for all eight A4 sheets

Read phrases top to bottom and counts left to right, restarting local count 1 in phrase 2. Use broad fixed raised cells and a wide phrase divider, never small loose parts. A neutral adult reads or places only what the child directs. Colour/outlines carry no extra musical meaning. Fresh-check alternatives repeat only the public brief, without a worked answer.

## One four-beat phrase

**File:** `print/motif-a.svg` / `print/motif-a.pdf`.
**Exact content:** Original A is X REST X X in four numbered places, with three sound events and rest at local 2.
**Verbatim printed text in layout order:** SUBJECTNEST · FOUNDATION MUSIC | Original phrase score · quiet route available | A · ONE FOUR-BEAT PHRASE | Phrase A · X, quiet, X, X | 1 | X | 2 | REST | 3 | X | 4 | X | Four beat places. Three sound events. | Rest at local count 2. | My invented paper purpose: _____________ | Original resource · CC BY 4.0 · access notes in pack.
**Tactile alternative:** Fix a raised four-cell strip. Place broad X, REST, X, X in numbered order; trace the complete group as one phrase.

## Repeat the whole phrase

**File:** `print/phrase-repeat.svg` / `print/phrase-repeat.pdf`.
**Exact content:** Two four-place A phrases both read X REST X X; together eight beat places and six sound events.
**Verbatim printed text in layout order:** SUBJECTNEST · FOUNDATION MUSIC | Original phrase score · quiet route available | B · REPEAT THE WHOLE PHRASE | PHRASE 1 · A | 1 | X | 2 | REST | 3 | X | 4 | X | PHRASE 2 · A again | 1 | X | 2 | REST | 3 | X | 4 | X | Eight beat places · six sound events. | The complete four-place idea repeats. | Original resource · CC BY 4.0 · access notes in pack.
**Tactile alternative:** Fix two raised four-cell strips with a wide divider; fill each X REST X X, then compare local positions.

## Whole phrases change order

**File:** `print/phrase-order.svg` / `print/phrase-order.pdf`.
**Exact content:** Upper eight-place score is A X REST X X then B REST X X REST; lower order is B then A. Internal marks stay.
**Verbatim printed text in layout order:** SUBJECTNEST · FOUNDATION MUSIC | Original phrase score · quiet route available | C · WHOLE PHRASES CHANGE ORDER | ORDER 1 · A then B | A | 1 | X | 2 | REST | 3 | X | 4 | X | B | 1 | REST | 2 | X | 3 | X | 4 | REST | ORDER 2 · B then A | B | 1 | REST | 2 | X | 3 | X | 4 | REST | A | 1 | X | 2 | REST | 3 | X | 4 | X | Both: eight beat places; five sound events. | Original resource · CC BY 4.0 · access notes in pack.
**Tactile alternative:** Make two broad whole four-cell cards A and B. Move whole cards A|B to B|A without touching their internal X/REST marks.

## A quieter second ending

**File:** `print/rest-variation.svg` / `print/rest-variation.pdf`.
**Exact content:** First phrase A is X REST X X. Second changed A is X REST X REST; only final second-phrase cell changes.
**Verbatim printed text in layout order:** SUBJECTNEST · FOUNDATION MUSIC | Original phrase score · quiet route available | D · A QUIETER SECOND ENDING | PHRASE 1 · A stays | 1 | X | 2 | REST | 3 | X | 4 | X | PHRASE 2 · A changed: final REST | 1 | X | 2 | REST | 3 | X | 4 | REST | Only the second final X changes. | Three events, then two events. | Original resource · CC BY 4.0 · access notes in pack.
**Tactile alternative:** Fix first A strip. On second A strip replace only local final X with a broad REST; count three then two events.

## One held ending

**File:** `print/held-ending.svg` / `print/held-ending.pdf`.
**Exact content:** First A is X REST X X. Second is X REST then one LONG band over local 3–4; one band replaces two short X.
**Verbatim printed text in layout order:** SUBJECTNEST · FOUNDATION MUSIC | Original phrase score · quiet route available | E · ONE HELD ENDING | PHRASE 1 · A stays | 1 | X | 2 | REST | 3 | X | 4 | X | PHRASE 2 · X, quiet, one LONG 3–4 | 1 | X | 2 | REST | 3 | 4 | LONG | One wide band replaces two short X. | Eight beat places; five sound events. | Original resource · CC BY 4.0 · access notes in pack.
**Tactile alternative:** Fix first A. In second phrase, remove short X at local 3 and 4 and place a single tactile band spanning those two cells.

## My two-phrase idea

**File:** `print/compose-share.svg` / `print/compose-share.pdf`.
**Exact content:** Two blank four-place phrase strips invite an original repeat, order or changed-phrase score. Fields record maker/intention and actual share/medium/pass.
**Verbatim printed text in layout order:** SUBJECTNEST · FOUNDATION MUSIC | Original phrase score · quiet route available | F · MY TWO-PHRASE IDEA | PHRASE 1 · four places | 1 | ____ | 2 | ____ | 3 | ____ | 4 | ____ | PHRASE 2 · four places | 1 | ____ | 2 | ____ | 3 | ____ | 4 | ____ | Repeat / order / changed phrase: ______ | Maker and intended idea: ______________ | Actually shared with: ________________ | Score / sound / rehearsal / pass | Original resource · CC BY 4.0 · access notes in pack.
**Tactile alternative:** Use two fixed raised four-cell strips and broad X, REST or two-cell LONG cards. A neutral scribe records only child-directed score and actual sharing.

## Fresh M postcard phrase order

**File:** `check/fresh-m.svg` / `check/fresh-m.pdf`.
**Exact content:** Starting C X X REST X comes before D REST X REST REST. Public brief asks D first, C second, keeping marks inside cards; answer is not printed.
**Verbatim printed text in layout order:** SUBJECTNEST · FOUNDATION MUSIC | Original phrase score · quiet route available | M · POSTCARD PHRASE ORDER | START · C first | 1 | X | 2 | X | 3 | REST | 4 | X | THEN · D second | 1 | REST | 2 | X | 3 | REST | 4 | REST | Move WHOLE cards: D first, C second. | Keep the marks inside C and D in order. | My new order: _____________________ | What stayed: _____________________ | Original resource · CC BY 4.0 · access notes in pack.
**Tactile alternative:** Fix unfamiliar C and D as complete raised four-cell cards. Read the public request neutrally; child directs a whole-card swap.

## Fresh N paper window finish

**File:** `check/fresh-n.svg` / `check/fresh-n.pdf`.
**Exact content:** Two starting S phrases each read X X REST X. Public brief asks keep first, combine first two short X in second into one LONG 1–2, retaining rest 3 and X4; answer is not printed.
**Verbatim printed text in layout order:** SUBJECTNEST · FOUNDATION MUSIC | Original phrase score · quiet route available | N · PAPER WINDOW FINISH | START · S first | 1 | X | 2 | X | 3 | REST | 4 | X | THEN · S again | 1 | X | 2 | X | 3 | REST | 4 | X | Keep first S. In second S, replace X1+X2 | with ONE LONG band across 1–2. | Keep REST3 and X4. New score: ______ | Second phrase has same / fewer events. | Original resource · CC BY 4.0 · access notes in pack.
**Tactile alternative:** Fix two S raised strips, broad X/REST cards and a separate two-cell LONG band. Read the brief without placing the band for the child.

**Limit:** Silent phrase cards show intended musical structure, not hearing, timed playing, sustained acoustic duration or actual audience sharing. These need separate real observations.