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Day 62 · Short marks and long marksFoundation Visual Arts · T2 W13–14 · Day 62 lesson

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Foundation / Visual Arts / Term 2 / Weeks 13 14

Part of the full two-week lesson sequence. Check the pack guide and taught point before teaching.

Open for this lesson: Pack guide · Sources and materials · Worked swaps · Fresh learner checks · Aids and text routes.

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Teacher copy: This page may include teaching prompts or answer keys. Answer keys in this public library can be viewed by anyone. Give learners a clean prompt, use checks as formative evidence, and change a case locally when prior access matters.

Learner choices

Goal/codes: try mark length as an original visual texture choice for a fictional surface; AC9AVAFD01/AC9AVAFC01 if an art work is made. Prepare: short/long marks.

  1. Welcome · 3 min. “A short line and a long line can change how a surface looks. No line tells us what a real object feels like.”
  2. Model · 4 min. Show two adult-made plain card-boat sides: one has five short upright marks, one three long upright marks. Say exactly what differs in the picture; do not claim one is actual corrugation or a universal feeling.
  3. Together · 5 min. Child identifies short/long by sight, spoken length comparison, AAC or broad fixed raised lines. Ask which they might choose for a made-up sail, book cover or boat side and why. Number of lines is supplied, not scored.
  4. Child art · 7 min. Child tries/directs/describes two mark lengths on an invented object and chooses one for an intended look. An approved dry drawing route is optional; words or AAC can specify mark length and place exactly.
  5. Notice · 4 min. Record actual chosen length/location and reason, not “rough/smooth” as a fact about a physical surface. If marks cannot be seen or touched, use exact length words; keep the goal.
  6. Close · 2 min. “I chose ___ lines on ___ because I want the picture to ___.”