Day41 · Ask a question that helps someone
Day: 41
Title: Ask a question that helps someone
Purpose: Plan a useful question for a chosen reader, then listen or use a supplied answer.
Codes: ["AC9E3LA01", "AC9E3LY01", "AC9E3LY02", "AC9E3LY06"]
Job: Help a new visitor choose a quiet reading spot.
Entry: Offer C01 and its supplied answer. A child who has not made a guide can still choose one reader and one question; nobody has to interview a stranger.
Kit: C01/C02, scrap card, pencil or dictated words; an optional willing familiar partner.
Child: Who is it for? Ask one useful question. Leave space for the answer.
Notice: Notice whether the question has a reader, a usable choice or focus, and a purpose. Record any prompting. Do not infer actual turn-taking from the finished card.
Full teaching sequence
Start with a need · 5–8 minutes
Read C01 together. Point to the visitor, who wants to read quietly but has not chosen a spot. Ask what the visitor needs to decide. Accept pointing, a spoken idea or a written question. Explain that asking a question can help a reader; it does not guarantee an answer.
Show a question doing a job · 8–12 minutes
Model ‘Would a seat near the window or a cushion away from the door suit you?’ Explain why each offered choice is in C01. Compare ‘Do you like things?’: it is so broad that the answer may not help choose a spot. Model taking turns and accepting ‘I’d rather not answer’. Use C02 to show that a practical question changes when the reader’s job changes.
Try together · 10–15 minutes
Pairs choose a reading visitor or a mending helper. Each names the reader and says what the answer will help decide. Rehearse one question. A partner may answer, ask for the question again or decline. If no partner is available, use the exact supplied answer in C01 or C02; mark it as supplied rather than claiming a real conversation.
Make a tiny question card · 12–20 minutes
Children create a card with reader, purpose, one question and a genuinely empty answer area. Let them revise after a willing partner says what they think is being asked. Read an answer back without adding an explanation the person did not give. Keep a written/dictated source note separate from the final message.
Finish · 5 minutes
Invite one child to explain how the question helps this reader. Keep the card and a brief observation of the actual interaction, if it occurred. A supplied-answer card can show planning; it cannot show that a child listened and took turns in a real exchange.
Three switchable routes
Make and test
Use two scrap cards as the two possible seats. Place the question beside them and try it with a willing person. Moving a card can replace handwriting; the child still chooses the reader and purpose.
Talk, point or dictate
An adult reads the two sources and writes the child’s exact chosen question. Offer a ‘pass’ card. Judge the question’s usefulness separately from speech, eye contact or the adult’s handwriting.
Read and write
Use the short displayed C01 question before the rich adult-read passage. Read only words that match taught knowledge. Write the question, then circle the words that name the choice; independent decoding is observed separately.
Day42 · Tell what the answer actually says
Day: 42
Title: Tell what the answer actually says
Purpose: Make a short report that keeps an answer’s meaning and separates it from a new suggestion.
Codes: ["AC9E3LY05", "AC9E3LA06", "AC9E3LA08", "AC9E3LY06"]
Job: Tell a helper what a pretend packing partner chose.
Entry: Use the supplied response in C03. The report can be entirely fictional; no home survey, counting or prior interview is required.
Kit: C03/C04, two colours or two labelled spaces, a card for the report.
Child: Read the answer. Tell it clearly. Put your new idea in a different sentence.
Notice: Look for an accurate choice and supplied reason, and a signalled new suggestion. Do not require the adult’s model wording or invent a factual property for the item.
Full teaching sequence
Find the answer · 5–8 minutes
Read C03. Ask which exact words tell us the pretend partner’s choice. Place those words under ‘answer’. Put the author’s spare suggestion under ‘new idea’. Do not treat a picture as proof that a person chose an unmentioned item.
Model a faithful report · 8–12 minutes
Say ‘Mara chose the cloth bag because the handles feel comfortable.’ Point to the supplied response for both choice and reason. Then model ‘I suggest adding a label’ as a different sentence. Compare the invented report ‘Mara chose it because it is waterproof’: the source did not say that. This is a reading check, not a test of whether cloth is waterproof.
Try another job · 10–15 minutes
Read C04 about a cardboard costume repair. Together make one report sentence about the supplied answer and one optional suggestion. Notice a clear subject and verb. Keep the source’s time: a choice made yesterday is a past choice; a plan for tomorrow is not an event that has already happened.
Make a useful handover · 12–20 minutes
Children choose one source. Write or dictate a two-sentence message: what the response says, then an optional clearly signalled suggestion. A reader checks whether each reported claim can be pointed to in that source. Children may shorten or rephrase without silently adding a reason.
Finish · 5 minutes
Ask the child to point to the source for one reported detail. Keep the report and the source identity. Treat real listening, handwriting and spelling as separate observations when the mode or help does not allow them to be seen.
Three switchable routes
Sort and build
Move supplied sentence strips into ‘answer’ and ‘my suggestion’, then arrange a message. Leave an optional suggestion empty if none is needed; classification is a tool for keeping meaning, not a required colour test.
Hear and dictate
An adult reads the answer twice. The child retells or points; the adult records exact words. Re-read the source after the retelling so the child can correct a missing detail.
Read and edit
Read the short answer independently only where taught knowledge allows. Draft two sentences and underline the subject and verb in one. A partner checks the meaning against the complete source.
Day43 · Choose how strong your words sound
Day: 43
Title: Choose how strong your words sound
Purpose: Explore questions, evaluation and modal force without changing a supplied rule or pretending every suggestion is a requirement.
Codes: ["AC9E3LA02", "AC9E3LA06", "AC9E3LA07", "AC9E3LY02"]
Job: Help a pretend play team decide how to word a suggestion.
Entry: Start with C05’s fictional puppet rehearsal. Children can work with supplied lines; no understanding of a real safety rule is presumed.
Kit: C05/C06, three word cards ‘might’, ‘could’, ‘must’, blank speech bubbles.
Child: Try the words aloud or silently. What changes? Choose words that fit the job.
Notice: Notice whether a child relates a specific word to force and the reader’s purpose. Accept justified differences; do not grade personality or one supposed ‘correct’ emotional reaction.
Full teaching sequence
Hear a change · 5–8 minutes
Read the puppet rehearsal in C05. Say ‘We might add a pause’ and ‘We must add a pause’. Ask how the demand feels different. A child can point to the stronger line without performing it.
Model careful force · 8–12 minutes
Explain that ‘must’ makes this suggestion sound like a requirement, although the source only offers a choice. Model ‘Could we try a pause?’ for an invitation. Contrast the supplied fictional instruction ‘Put the paper puppets in the box after rehearsal’: preserve that instruction’s meaning rather than claiming all strong words are wrong.
Try feeling and saying verbs · 10–15 minutes
Use C06’s garden drawing club. Compare ‘I think the tall flower would fit’ and ‘I like the tall flower’. Name thinking and feeling verbs and discuss their different jobs. Keep a subject with its agreeing verb: ‘The team likes’ / ‘The children like’.
Make two versions · 12–20 minutes
Children write, dictate or build two wordings of a suggestion, explain which sounds stronger, and choose one for the intended reader. They may keep a strong version for a justified purpose. Do not demand one politeness dialect or treat tone, accent, stimming or eye contact as a criterion.
Finish · 5 minutes
Ask what changed in the words and what stayed the same in the proposal. Record the child’s explanation, with help noted. The sheet alone does not establish actual conversational negotiation.
Three switchable routes
Act with objects
Give a paper puppet two speech bubbles. Switch ‘might’ and ‘must’ and move a small pause marker to show the proposal staying the same.
Listen, sign or point
An adult reads or signs both lines with the same neutral delivery first. The child selects a stronger phrase and offers a preferred wording through their usual communication.
Write and compare
Write both versions, box the changed modal word, then add one reason tied to the reader. Colour is optional; labels carry the distinction.
Day44 · Give related ideas a home
Day: 44
Title: Give related ideas a home
Purpose: Group related information into simple paragraphs and give the reader a clear route through a small report.
Codes: ["AC9E3LA03", "AC9E3LA04", "AC9E3LA05", "AC9E3LY06"]
Job: Make a two-part note for a pretend repair table.
Entry: Use C07’s supplied job and response. A title and two short groups are enough; a long report is not required.
Kit: C07/C08, sentence strips or a blank folded page.
Child: Keep ideas that belong together. Start a new group when the job changes.
Notice: Look for a meaningful title, related grouping and a reason for a move. Do not mistake a neat layout or an adult scribed paragraph for independent composition.
Full teaching sequence
Find two jobs · 5–8 minutes
Read C07. Separate what the pretend helper needs to know about the tear from what they need to know about the chosen decoration. Ask which ideas belong together.
Model grouping · 8–12 minutes
Build a title ‘Paper kite repair’. Model one short paragraph about the tear and another about the decoration choice. Explain a paragraph as a group of related ideas, rather than any fixed number of sentences. Show a heading or a return link as a route for the reader, not as decoration.
Try a different domain · 10–15 minutes
Read C08’s food-play café card. Group opening-job information separately from a customer’s supplied preference. No real food handling or allergy advice is offered. Move strips before writing and explain one grouping decision.
Make a reader-ready page · 12–20 minutes
Children choose the repair or pretend café source and produce a title plus two related groups. A partner follows the page: what is this about, and where would they look for the preference? Children can change a heading or move one sentence after the test.
Finish · 5 minutes
Keep the first arrangement and a revised arrangement if the child chooses to preserve them. Ask which move helped the reader. Paragraph quality is judged from related ideas, not a two-paragraph quota applied to every later text.
Three switchable routes
Fold and sort
Use a folded scrap page as two labelled spaces. Move whole idea strips, then choose where to begin a new paragraph.
Read together and dictate
An adult reads both source groups. The child names what belongs together and dictates the message; record organising evidence separately from writing mechanics.
Write and navigate
Draft the title and grouped paragraphs. Use a contents-style two-item route only if it helps this reader, then test whether the label reaches the intended group.
Day45 · Let a character notice something different
Day: 45
Title: Let a character notice something different
Purpose: Discuss character, setting and mood, then adapt a short original story from another perspective.
Codes: ["AC9E3LE02", "AC9E3LE03", "AC9E3LE04", "AC9E3LE05"]
Job: Retell one small event for a reader who enjoys a character’s view.
Entry: All story material is original fiction. Offer the complete C09/C10 stories aloud; no personal experience disclosure or reading of borrowed books is required.
Kit: C09/C10, blank storyboard or loose paper, optional household objects as characters.
Child: Whose eyes are we using? Keep the event. Change what the character notices.
Notice: Look for a preserved event and a specific changed noticing or language effect. Preferences need a reason tied to the story, not agreement with the teacher’s taste.
Full teaching sequence
Meet the event · 5–8 minutes
Read C09 about a toy ferry at a windy puddle. Ask what happened and how the paper captain felt. Point to language or an illustration description rather than assuming one emotional answer.
Model a perspective move · 8–12 minutes
Retell the same arrival from the waiting pebble’s view: it notices the splash and the wobbling bow. Preserve the shared event; do not turn the ferry’s planned return into a journey that has already happened. Compare ‘plop-plop’ with ‘a noise’ and explain a possible reader reaction.
Try a different story · 10–15 minutes
Read C10 about a shadow puppet. Choose one character, keep the event order and identify one sensory detail the new character might notice. Label any invented new thought as part of the adapted fiction, not as a quote from the original.
Make a short retelling · 12–20 minutes
Children create three scenes or a short paragraph from their chosen character. They may add a rhythm or sound word if it serves the reader. Ask a willing reader what mood the retelling suggests; different supported readings can coexist.
Finish · 5 minutes
Invite a child to compare one original phrase with one changed phrase and explain the effect. Do not claim this original fiction supplies the required range of First Nations Australian and world authors across the year.
Three switchable routes
Stage with objects
Use a pebble-shaped scrap and a paper ferry or puppet. Point to one place each character could notice, then tell or dictate the retelling.
Hear and imagine
Listen to the entire original story. Give the child scene choices and time to think; no acting, loud sound or personal story sharing is required.
Write or storyboard
Use three genuinely empty panels or a paragraph. Caption the same event from a new viewpoint and explain one changed detail.
Day46 · Same topic, different reader
Day: 46
Title: Same topic, different reader
Purpose: Identify audience and purpose in informative, imaginative and persuasive texts and explain how an image extends meaning.
Codes: ["AC9E3LY01", "AC9E3LY03", "AC9E3LA03", "AC9E3LA09"]
Job: Choose a text that fits a pretend visitor’s job.
Entry: C11/C12 include full short texts and explicit image descriptions. Children can listen and view; print reading is observed separately.
Kit: C11/C12, two text cards, optional sketch space.
Child: Who is this for? What does it help them do? Show one clue.
Notice: Notice an audience-purpose match and a specific clue. An extending image adds or clarifies meaning; it is not simply a decorative picture.
Full teaching sequence
Compare two texts · 5–8 minutes
Read C11’s map note and imaginative snail scene. Both concern a toy garden, but one helps someone find a place and one tells an event. Ask for a word or layout clue that supports the difference.
Model a supported choice · 8–12 minutes
Choose the map note for a visitor looking for the pretend seed table and point to its route labels. Choose the story for a reader who wants a funny character event. Explain that a large labelled sign in the supplied image emphasises the seed table; do not claim it is larger than another sign when the source gives no comparison.
Try persuasion · 10–15 minutes
Read C12’s toy concert invitation and neutral schedule. Compare an inviting evaluative phrase with the schedule’s time order. Neither is a promise of a real public event. Ask what an image adds that the words do not already say.
Make a matched recommendation · 12–20 minutes
Children choose a reader/job card, name the best supplied text and explain one language or visual clue. They then add a small image or caption that extends a specific meaning. A text-only description can replace drawing.
Finish · 5 minutes
Ask the reader to locate the added meaning. Keep the source identity and the child’s reason; do not grade artistic polish or presume a picture is factual evidence about a real site.
Three switchable routes
Match cards
Place three reader/job cards beside complete texts, then choose one match and explain a clue. The matching set is a discussion tool, not an automatic score.
Listen and describe
Hear the full texts and image descriptions. Use pointing or a dictated reason. Image meaning remains available without vision or drawing.
Read and caption
Read appropriate short parts, then write a recommendation and an extending caption. Observe decoding separately from text-purpose reasoning.
Day47 · Edit the little marks that change meaning
Day: 47
Title: Edit the little marks that change meaning
Purpose: Use contractions and singular or regular plural possession in meaningful editing, with the supplied intended meaning visible.
Codes: ["AC9E3LA11", "AC9E3LA06", "AC9E3LA08", "AC9E3LY06"]
Job: Make a lost-and-found report easier to understand.
Entry: Use C13’s stated one-owner meaning and C14’s stated several-owner meaning. Children need not already know every apostrophe pattern.
Kit: C13/C14, movable apostrophe card or pencil, genuinely blank edit strip.
Child: What does the sentence mean? Put the mark where it helps show that meaning.
Notice: Notice whether the apostrophe’s position fits the supplied meaning and whether the child distinguishes contraction from possession. A copied final model is not an unseen first response.
Full teaching sequence
Establish the meaning · 5–8 minutes
Read C13. The blue pouch belongs to one character, Sam; the sign’s ‘do not’ is intended as a contraction. State this intended meaning before asking children to edit.
Model two jobs · 8–12 minutes
Show ‘Sam’s pouch’ for one owner and ‘don’t’ for missing letters in ‘do not’. Say which letters are missing; do not call the possessive apostrophe a missing-letter mark. Model a complete sentence with a clear subject/verb and the same time as the source.
Try regular plural possession · 10–15 minutes
Read C14: the three players share a box labelled ‘the players’ box’. Contrast ‘the player’s box’ for one player with ‘the players’ box’ for several players. The source supplies which meaning is intended. Avoid introducing irregular plurals as if the same suffix rule always applies.
Edit for the reader · 12–20 minutes
Children choose a source and make a short corrected report. Ask them to explain one apostrophe’s job and check that the meaning stayed the same. Offer a clean model after the first attempt; record adult help rather than pretending independent spelling.
Finish · 5 minutes
A partner explains who owns the object and what the contraction means. If the editing changes that meaning, return to the source and try again. Neat handwriting is a separate observation.
Three switchable routes
Move the mark
Use letter and apostrophe cards. Build one contraction and one possessive phrase, then explain the different jobs.
Hear, sign and dictate
An adult states the intended meaning and reads both versions. The child points to the fitting phrase or dictates a correction; assess meaning, not speech or adult pen control.
Write and explain
Edit on a blank strip, box the apostrophe and write a short explanation. Independently written joined letters can be observed separately if explicitly taught.
Day48 · Find a word, then check the whole sentence
Day: 48
Title: Find a word, then check the whole sentence
Purpose: Use taught sound-letter, syllable and meaningful word-part knowledge with sentence context, and distinguish actual reading/spelling evidence from supported comprehension.
Codes: ["AC9E3LY04", "AC9E3LY09", "AC9E3LY10", "AC9E3LY11", "AC9E3LY12"]
Job: Prepare a small word-help strip for a reader of a pretend repair message.
Entry: Teacher selects a small set compatible with the learner’s taught sound-letter knowledge. Rich C15/C16 passages are adult-read options; no unfamiliar pattern is assumed to be mastered.
Kit: C15/C16, selected word cards ‘replay’, ‘playing’, ‘sunset’ or teacher-chosen equivalents, blank strip.
Child: Try the word. Check the sentence. Ask for help if the pattern is new.
Notice: Record the actual sound-letter/word-part strategy, self-correction and conditions. Keep high-frequency/homophone spelling, oral reading and listening comprehension separate.
Full teaching sequence
Check the entry · 5–8 minutes
Offer a few selected words individually and in a short sentence. Ask how the child is trying to read them. If patterns are untaught, teach or supply the word and keep comprehension work available; do not label a child a poor reader from an unsupported first attempt.
Model more than guessing · 8–12 minutes
Use ‘replay’: connect taught sounds and letters, identify ‘re-’ plus ‘play’, then check whether ‘play again’ fits C15’s puppet sentence. Use ‘playing’ to discuss the known base and suffix without claiming all words keep identical spelling. Avoid guessing solely from the picture or first letter.
Try a meaning change · 10–15 minutes
Read C16’s music note. Distinguish ‘here’ and ‘hear’ by the intended sentence meaning while acknowledging their same spoken form in usual Australian English. Teacher pronunciation support should be checked in the learner’s language variety; no invented multilingual pronunciation is supplied.
Make and use a word-help strip · 12–20 minutes
Choose one taught or newly explicitly taught word. Record the word, a useful part or sound-letter observation, and a complete sentence. Re-read the sentence for meaning and accuracy. For spelling, remove the supplied model for a fresh attempt only after teaching; record the conditions.
Finish · 5 minutes
Keep an actual reading observation if heard, a spelling attempt if independently produced and the supported comprehension work separately. No percentage of decoding mastery or fixed reading level follows from this small set.
Three switchable routes
Build and move
Move known letter or word-part cards to form a selected word, then choose the fitting sentence. Motor movement is optional and does not replace actual reading observation.
Listen and explain meaning
An adult reads the passage and supplies unfamiliar words. The child explains a word part or sentence meaning through usual communication; do not score independent decoding from this route.
Read, re-read and spell
Read a short taught-pattern sentence, re-read after self-correction, and make one fresh spelling attempt. The teacher records exactly which support and prior teaching were available.
Day49 · Make a tiny report for a real job
Day: 49
Title: Make a tiny report for a real job
Purpose: Plan, draft and revise a short informative or persuasive message for a chosen audience using supplied or permitted response material.
Codes: ["AC9E3LY06", "AC9E3LY07", "AC9E3LA04", "AC9E3LA10"]
Job: Help a reader choose or use a pretend activity space.
Entry: Use C17/C18’s supplied responses or a willing familiar person’s nonpersonal answer. A class survey, numeric analysis and public publishing are optional, not prerequisites.
Kit: C17/C18, chosen first draft, blank page or Reporter Desk brief paper fields.
Child: Pick your reader. Make a useful message. Ask what is clear and what needs work.
Notice: Notice audience fit, source-faithful supporting detail and a reasoned edit/retention. Do not claim two saved versions demonstrate independent drafting or actual delivery on their own.
Full teaching sequence
Choose a small outcome · 5–8 minutes
Read C17/C18 and choose a reader/job. A child might recommend one activity space or explain a packing preference. Agree a manageable message rather than a required word count.
Model a plan · 8–12 minutes
Name reader, question, source response, main message and one supporting reason. Group related ideas. Keep exact response words as a quote only if they are actually supplied or permitted; label any invented speech as fiction.
Draft and rehearse · 10–15 minutes
Children draft one or two short paragraphs or an equivalent spoken/signed/multimodal message. Include a precise topic word, such as ‘folded pocket’, only where its meaning is understood. Rehearse with clear order; volume, pace and pitch are available choices, not an instruction to perform loudly.
Use feedback · 12–20 minutes
A willing reader says one thing they understood and one question. Children choose a meaningful change or explain why they retained a part. Keep both versions if wanted, with source identity and words intact. Do not auto-rewrite or equate any edit with improvement.
Finish · 5 minutes
Keep the report and a note about the actual reader test. A written script shows planning; actual delivery and audience interaction require a separate observation. Publishing can mean sharing with one permitted person or keeping a private copy.
Three switchable routes
Build a display
Arrange blank report cards and an optional sketch on a folded stand. A partner follows it and asks one question before the child chooses an edit.
Speak, sign or dictate
Use usual communication to compose and rehearse. Record the child’s message and support; no recording, camera, account or public sharing is required.
Write and revise
Make two chosen drafts and explain one change against the reader’s job. Check sentence grouping, tense and selected words after the meaning is established.
Day50 · Choose your strongest example and share it your way
Day: 50
Title: Choose your strongest example and share it your way
Purpose: Select a useful piece, explain a meaningful revision and optionally present it with a clear reader route.
Codes: ["AC9E3LY06", "AC9E3LY07", "AC9E3LY02", "AC9E3LE05"]
Job: Make a small handover that another reader can use without guessing.
Entry: Choose any work from this fortnight or use C19/C20 and a fresh mini draft. Attendance or completion of all previous days is not assumed.
Kit: One chosen draft, original source where available, blank handover card, optional storyboard.
Child: Pick one piece. Tell what it helps someone do. Show one choice you made.
Notice: Judge the chosen work’s usefulness and supported explanation. Do not reward number of pages, public confidence or disclosure of private experiences.
Full teaching sequence
Choose evidence with a purpose · 5–8 minutes
Offer a question card, short report, story adaptation or edited label. Ask which best helps the chosen reader. A child who lacks earlier work can start with the supplied C19/C20 source.
Model an honest handover · 8–12 minutes
Show a source, a chosen message and a short explanation of one kept or changed part. Say ‘I changed the vague word to name the pocket’ rather than ‘I made it perfect’. Name any supplied answer or adult help.
Rehearse a reader route · 10–15 minutes
Plan a short spoken/signed explanation or written route: what this is, who it is for, and where to look. Optional delivery can be to one willing person. A child can decline public performance and still make a useful written handover.
Try and refine · 12–20 minutes
The reader uses the handover or asks a supplied question. The child makes one final change if needed, or gives a reason for keeping the current version. Separate original story invention from a factual report and leave private/personal information out.
Finish · 5–8 minutes
Keep one selected work sample, source identity, help note and the child’s explanation. State the local evidence it provides and the strands still needing taught opportunities. This fortnight is not a complete annual English assessment or proof of learning gain.
Three switchable routes
Portable handover
Arrange source, message and explanation on three loose cards, then test the order with a willing reader. The outcome can remain small and private.
Quiet sharing
Dictate, sign or point through the handover with a familiar adult. Use a supplied reader question if nobody is available; actual presentation evidence is recorded only if observed.
Written mini portfolio
Choose a draft, annotate one purposeful revision, and add a short reader route. Independent reading, spelling and joined handwriting are recorded separately when conditions permit.
C01–C20 · complete ordinary teaching sources
These are ordinary sources; worked examples below are staff teaching material, not neutral held cases.
C01 · Reading corner · A quiet-seat question
Complete source:
The pretend reading corner has a window seat and a cushion away from the door. The new visitor wants a quiet place to look at a story. Pip offers a question: ‘Would the window seat or the cushion away from the door suit you?’ The supplied visitor answer is: ‘I would choose the cushion, because people keep walking past the window seat.’ This answer belongs to the fictional visitor; it is not a result from a real class. A sign says ‘You can pass, ask for the question again, or choose another way to answer.’ The drawing shows both places without declaring one best.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Would the window seat or the cushion away from the door suit you?
The question names two supplied places and helps the visitor choose. The answer gives a choice and a reason; it does not say every person likes cushions.
C02 · Mending shelf · A helper’s useful question
Complete source:
At a pretend mending shelf, a paper puppet has a loose arm and an undecorated hat. The helper can begin with the arm or the hat. The puppet-maker needs it to move for a short scene. The supplied maker answer is: ‘Please start with the loose arm. I want the puppet to wave.’ There is no claim about a real tool, glue, sewing needle or repair service. The helper asks, ‘Which part should I work on first for your scene?’ A separate note says the maker may decorate the hat later. The arm-first answer does not prove that the hat has already been decorated.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Which part should the helper begin with for this scene?
A useful report keeps arm first and the waving reason. A future decoration plan stays a plan.
C03 · Packing game · Answer and new suggestion
Complete source:
Mara and Kit play a fictional packing game with a cloth bag and a cardboard box. Yesterday, Mara said, ‘I choose the cloth bag because the handles feel comfortable.’ Kit has an idea: a paper label could make the bag easier to recognise in the game. No one has tried the label yet. The source does not claim the cloth is waterproof, stronger than the box, or available from a real shop. A small answer card contains Mara’s exact supplied response. A separate suggestion card contains Kit’s proposed label. A reader should be able to tell which part reports an answer and which part offers a new idea.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Mara chose the cloth bag because the handles feel comfortable.
The report preserves the response’s choice and reason. ‘I suggest a label’ is a new suggestion, not Mara’s answer.
C04 · Costume table · A repair handover
Complete source:
A fictional cardboard costume has a torn paper badge and a plain sleeve. The performer is asked what would help with the next pretend scene. The supplied answer is, ‘Please mend the badge first so the audience can read my character’s name.’ Another child suggests adding a silver star to the sleeve tomorrow. The source gives no real repair instructions or claim about costume safety. A picture description shows the torn badge’s letters split by the tear. The star is on a separate planning card. The badge choice is a supplied response; the star is an untried idea. Nothing says the sleeve has already received a star.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Please mend the badge first so the audience can read the character’s name.
The sentence keeps the supplied priority and reason. The tomorrow star belongs in a separately signalled suggestion.
C05 · Puppet rehearsal · Invitation or requirement
Complete source:
The paper puppet group is rehearsing a short pretend scene. The scene can include a pause before the dragon’s entrance. One suggestion says, ‘We might add a pause.’ Another says, ‘We must add a pause.’ Both concern the same proposed pause, but the second sounds more forceful. No source rule requires that pause. A separate fictional instruction says, ‘Put the paper puppets in the box after rehearsal.’ The group can discuss the pause without changing that stated instruction. Everyone may use their usual communication or decline to act. There is no required loud performance, camera or audience.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Could we try a pause before the dragon arrives?
The question invites a trial of the supplied option. Calling the pause compulsory would add a requirement the source does not give.
C06 · Garden drawing club · Feeling and thinking
Complete source:
The pretend garden drawing club is choosing a flower for a paper scene. A tall blue flower and a short yellow flower are available in the supplied drawing. One child says, ‘I think the tall flower would fit beside the gate.’ Another says, ‘I like the short yellow flower.’ The first line expresses thinking about fit; the second expresses a preference. Neither child’s line proves which flower a real garden needs. The group plans to try both placements on paper. The trial has not happened yet. A caption says ‘The team likes choices’ and another says ‘The children like choices’, with subjects and verbs agreeing.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: I think the tall flower would fit beside the gate.
The thinking verb helps explain a possible placement. A different supported preference may also be reasonable.
C07 · Paper kite repair · Two related groups
Complete source:
The fictional repair table has a paper kite with a tear near one corner. A round paper patch is being considered. Jo’s supplied response is, ‘I like the blue star for the decoration.’ The blue star and the patch have different jobs: one records a decoration preference and one concerns the tear. The string is resting on a chair in the picture description. This is not a guide for making a real flying kite or using sharp repair tools. A title can name the repair, a first paragraph can group tear-and-patch information, and a second paragraph can report Jo’s decoration preference. No paragraph needs a fixed number of sentences.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Paper kite repair: tear and patch. Decoration choice: Jo’s blue star.
Two groups help a reader find related information. The supplied blue-star preference is not proof that the repair succeeded.
C08 · Pretend café · A page with two jobs
Complete source:
The toy café uses paper food drawings; nobody prepares or eats food in this activity. Its opening-job note says to put the paper menu beside the toy till and the blank order cards in a tray. A supplied pretend customer answer says, ‘I would like the round paper biscuit drawing.’ An optional display sketch shows the menu on the left and the tray on the right. Opening-job information belongs together. The customer’s preference belongs in a different group. The words make no claim about allergy safety, nutrition, real restaurant rules or prices. A title and two clear groups may be enough for a helper to use the note.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Opening jobs. Supplied customer choice.
The headings distinguish setup information from a fictional preference. They do not certify real food handling.
C09 · Toy ferry · One arrival, two viewpoints
Complete source:
Captain Dot’s paper ferry makes one pretend trip across a shallow drawn puddle. At the beginning, Dot grips the paper rail and watches a steep little wave in the story. Pebble Bea waits on the bank and laughs at the boat’s wobbly dance. ‘Plop-plop’ follows the ferry’s bow. The ferry reaches the other side. Dot plans to try another trip, but that second trip has not happened in the supplied story. An illustration description shows Bea near the landing and Dot looking at the wave. A retelling may keep this arrival and change what a character notices. Any new thoughts belong to the adapted fiction.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Dot sees a wave; Bea sees a wobbly dance during the same arrival.
Different noticing can change mood while keeping the event. A planned second trip remains open future.
C10 · Shadow puppet · A different noticing
Complete source:
In an original fictional shadow scene, Mouse waits behind a folded screen. Dragon steps in front of the light and its shadow reaches across the paper hill. Mouse thinks the long shadow looks like a slide. Dragon worries that the audience will not see its tiny star badge. The supplied event ends when Dragon turns sideways and Mouse points at the badge’s shadow. There is no real light-source or electrical instruction here. The illustration description shows one long shadow, a hill and the characters’ positions. A retelling from Mouse’s view can notice the playful slide shape; Dragon’s view can notice the badge. The event can stay the same.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Mouse can notice the slide-like shadow while Dragon notices the badge.
A new viewpoint changes the focus. It need not invent another completed event.
C11 · Toy garden navigation · Route note and snail story
Complete source:
Two original texts describe the same pretend cardboard garden. The route note says, ‘Seed table: follow the dotted path past the cardboard gate.’ Its image description shows a dotted path and a large sign labelled SEED TABLE. No other sign size is supplied, so a reader cannot compare sizes. The imaginative text says, ‘The gate sneezed, and Snail slid through a shower of paper stars.’ That text offers a funny event. A visitor trying to find the seed table can use the route note; a reader wanting a story can use the imaginative text. The garden, sneeze and route are fictional and not a real local direction.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Choose the route note to find the pretend seed table.
Route labels fit a finding job. The large labelled sign emphasises the destination; no size comparison is supplied.
C12 · Toy concert · Schedule and invitation
Complete source:
A fictional toy concert schedule lists ‘Puppet entrance, short song, quiet wave goodbye’. It gives an order, not a real public-event time or booking. A separate invitation says, ‘Come for a bright little song and a wonderfully wobbly puppet entrance.’ The invitation uses evaluation to make the pretend show appealing. The image description adds a star card that an audience member may wave silently. The schedule does not require clapping or a loud response. A performer needing order may choose the schedule; a pretend visitor deciding whether the show sounds interesting may choose the invitation. Both complete texts are supplied.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: The schedule helps a performer find the order; the invitation offers an appealing description.
The audience and purpose differ, and the star-card image adds a quiet participation option.
C13 · Lost-and-found · One owner and missing letters
Complete source:
In a fictional lost-and-found corner, one character named Sam owns a blue pouch. The draft sign reads ‘Dont move Sams pouch.’ The intended meaning is ‘Do not move the pouch that belongs to Sam.’ The edit can use ‘don’t’ to show a missing letter in ‘do not’ and ‘Sam’s’ to show one owner. The source does not ask a child to reveal real belongings or a surname. A picture description shows one pouch and a label saying SAM. A reader can edit the supplied meaning without guessing ownership. The contraction and possessive apostrophes do different jobs.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Don’t move Sam’s pouch.
The first apostrophe marks missing letters; the second marks one owner. Both edits preserve the given meaning.
C14 · Team game box · Several regular plural owners
Complete source:
Three fictional players share one box of paper game cards. Their draft label is ‘the players box’. The intended meaning is a box belonging to those several players, so the label can read ‘the players’ box’. A separate one-player example reads ‘the player’s box’. The source supplies which meaning is intended; neither version is chosen by guessing from handwriting. A note says ‘We do not want the cards mixed’, which may become ‘We don’t want the cards mixed’. The activity concerns regular plural players and a familiar contraction. It does not teach every irregular plural possessive pattern or prove independent spelling from a copied model.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: The players’ box; we don’t want the cards mixed.
The plural owner mark belongs after the plural s. ‘Don’t’ has a different missing-letter job.
C15 · Puppet word-help · A part and a whole sentence
Complete source:
The puppet group’s note says, ‘We can replay the scene.’ The teacher offers ‘re-’ meaning again in this word and the known base ‘play’. A second sentence says, ‘The puppet is playing near the gate.’ Children can connect taught sounds and letters with the complete word, discuss the base and suffix where taught, then check whether the sentence makes sense. The rich passage may be read by an adult. No child is assumed to know every spelling pattern in it. A word-help strip has an empty word space and an empty sentence space; it must not contain a prefilled assessment answer.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Replay can mean play again in this sentence.
Word-part meaning and taught sound-letter knowledge work with a whole sentence; a picture alone is not a reading strategy.
C16 · Music message · Here and hear
Complete source:
The fictional music message says, ‘Come here to hear the music.’ In usual Australian English, here and hear have the same spoken form but different meanings and spellings. Here tells a place; hear concerns listening. Another supplied sentence says, ‘The paper drum rests here.’ A child may use taught sound-letter knowledge, a known word and the sentence meaning. The teacher checks the learner’s language variety rather than inventing a pronunciation rule or translation. No audio player, hearing test, loud sound or recording is required. An adult can read the sentence so that comprehension remains accessible, with independent reading recorded separately.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Here gives a place; hear means listen in the supplied sentence.
The intended meaning guides which homophone fits. Supported comprehension is not independent spelling evidence.
C17 · Activity corner · A useful folded pocket
Complete source:
The pretend activity corner offers a folded pocket space and a flat display board. A supplied fictional reader answer says, ‘I choose the folded pocket space because the small story cards stay together.’ A picture description shows loose story cards tucked into the pocket. The source does not claim it holds every kind of object or has been tested by a real class. A draft report says, ‘This one is good.’ The reader’s supplied question is, ‘Which one, and good for what?’ A revised report can name the folded pocket and its supplied card-keeping purpose. A funny star drawing may be kept if it helps this reader find the message.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: The folded pocket space keeps the small story cards together in this pretend activity.
Naming the object and purpose makes the vague draft more useful; it does not imply a real-world trial result.
C18 · Pretend camping kit · Source and suggestion
Complete source:
A fictional camping-game kit has a rolled paper map and a flat paper badge. The supplied player response says, ‘I want the rolled map in the side pocket because I can find it quickly in the game.’ No actual outdoor trip, emergency equipment or safety advice is involved. A new suggestion says, ‘We could add a pocket label.’ The label has not been tried. A pretend reader asks whether the message is reporting the response or offering the label. A useful note can preserve the side-pocket choice and its reason, then identify the label as a suggestion. Real names, routes and travel plans are unnecessary.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: The player chose the side pocket for the rolled map; a pocket label is a separate suggestion.
Two related sentences can distinguish the supplied answer from an untried idea.
C19 · Cardboard museum · A short reader handover
Complete source:
The fictional cardboard museum contains a paper shell drawing and a toy wheel drawing. Its visitor card asks, ‘Which drawing would you like explained first?’ The supplied visitor response says, ‘The wheel, because I wonder how the spokes are drawn.’ A short draft says, ‘Explain this one.’ The source’s suggested reader question is, ‘What does this one mean?’ A maker can revise the draft to name the wheel and the interest in the drawn spokes. A handover may include the response card, the revised message and a note about the change. Nothing claims a real museum exhibit, local opening time or mechanical property of an actual wheel.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Explain the toy wheel drawing first; the visitor wonders about the drawn spokes.
The revised message names the referent and supplied interest. It does not add mechanical facts.
C20 · Story parcel · Keep or change for a reader
Complete source:
An original fictional story parcel contains a pebble-character arrival story and a blue-star report card. A reader looking for a funny event is offered the pebble story; a reader needing a decoration preference is offered the report card. The story’s draft ending says, ‘Then it was good.’ A supplied reader question asks, ‘What did the pebble notice at the landing?’ The maker may replace the vague ending with a specific fictional noticing. They may keep ‘plop-plop’ because it supports the playful mood. The report remains a report of Jo’s supplied preference, not a new story fact. The parcel can stay private; no real publishing account is needed.
Child invitation: Use the complete source for the day's named job. Choose spoken, pointed, dictated, object or written work; keep the source and any new suggestion distinguishable.
Staff worked example: Keep the playful sound if it helps the story reader; change the vague ending if it hides the event.
A reasoned keep/change decision can improve reader fit without treating every change as automatically better.
Ten small home offers
H01 · Day41 · Ask a question that helps someone · a small home offer
Source: C01 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Find one small decision with a willing family member, such as where to put a shared story. Ask one question, or use the supplied quiet-seat answer if everyone is busy.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Who is it for? Ask one useful question. Leave space for the answer.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Notice whether the question has a reader, a usable choice or focus, and a purpose. Record any prompting. Do not infer actual turn-taking from the finished card.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Who is it for? Ask one useful question. Leave space for the answer.
Return to the second matched ordinary source C02 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H02 · Day42 · Tell what the answer actually says · a small home offer
Source: C03 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Use a supplied fictional response to write a tiny ‘here is what they chose’ note. An optional real answer can be used with permission; no names need be recorded.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Read the answer. Tell it clearly. Put your new idea in a different sentence.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Look for an accurate choice and supplied reason, and a signalled new suggestion. Do not require the adult’s model wording or invent a factual property for the item.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Read the answer. Tell it clearly. Put your new idea in a different sentence.
Return to the second matched ordinary source C04 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H03 · Day43 · Choose how strong your words sound · a small home offer
Source: C05 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Try two ways of inviting someone to a pretend puppet show. Use the supplied lines if a family member does not want to role-play.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Try the words aloud or silently. What changes? Choose words that fit the job.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Notice whether a child relates a specific word to force and the reader’s purpose. Accept justified differences; do not grade personality or one supposed ‘correct’ emotional reaction.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Try the words aloud or silently. What changes? Choose words that fit the job.
Return to the second matched ordinary source C06 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H04 · Day44 · Give related ideas a home · a small home offer
Source: C07 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Make two labelled groups for a pretend job, such as a costume repair and the chosen colour. A child can arrange strips on the table without making a finished page.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Keep ideas that belong together. Start a new group when the job changes.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Look for a meaningful title, related grouping and a reason for a move. Do not mistake a neat layout or an adult scribed paragraph for independent composition.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Keep ideas that belong together. Start a new group when the job changes.
Return to the second matched ordinary source C08 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H05 · Day45 · Let a character notice something different · a small home offer
Source: C09 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Tell the ferry event from the pebble’s view using the supplied story. A familiar adult can be the audience, or the child can keep it private.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Whose eyes are we using? Keep the event. Change what the character notices.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Look for a preserved event and a specific changed noticing or language effect. Preferences need a reason tied to the story, not agreement with the teacher’s taste.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Whose eyes are we using? Keep the event. Change what the character notices.
Return to the second matched ordinary source C10 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H06 · Day46 · Same topic, different reader · a small home offer
Source: C11 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Use the two pretend garden texts to choose the route note for a visitor finding the seed table, or the snail story for a reader wanting a funny character event. Ask the child to show one clue from the supplied text. No online search is needed.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Who is this for? What does it help them do? Show one clue.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Notice an audience-purpose match and a specific clue. An extending image adds or clarifies meaning; it is not simply a decorative picture.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Who is this for? What does it help them do? Show one clue.
Return to the second matched ordinary source C12 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H07 · Day47 · Edit the little marks that change meaning · a small home offer
Source: C13 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Try ‘Sam’s pouch’ and ‘don’t’ on scrap paper, using the supplied fictional meanings. Names and family property do not need to be shared.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘What does the sentence mean? Put the mark where it helps show that meaning.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Notice whether the apostrophe’s position fits the supplied meaning and whether the child distinguishes contraction from possession. A copied final model is not an unseen first response.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: What does the sentence mean? Put the mark where it helps show that meaning.
Return to the second matched ordinary source C14 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H08 · Day48 · Find a word, then check the whole sentence · a small home offer
Source: C15 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Use one teacher-selected known word in a silly sentence. An adult can supply a new word; the goal is a useful meaning check, not drilling an untaught list.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Try the word. Check the sentence. Ask for help if the pattern is new.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Record the actual sound-letter/word-part strategy, self-correction and conditions. Keep high-frequency/homophone spelling, oral reading and listening comprehension separate.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Try the word. Check the sentence. Ask for help if the pattern is new.
Return to the second matched ordinary source C16 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H09 · Day49 · Make a tiny report for a real job · a small home offer
Source: C17 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Show a tiny report to one willing person or use a supplied reader question. Make one change that helps; if the first version works, explain what you kept.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Pick your reader. Make a useful message. Ask what is clear and what needs work.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Notice audience fit, source-faithful supporting detail and a reasoned edit/retention. Do not claim two saved versions demonstrate independent drafting or actual delivery on their own.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Pick your reader. Make a useful message. Ask what is clear and what needs work.
Return to the second matched ordinary source C18 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
H10 · Day50 · Choose your strongest example and share it your way · a small home offer
Source: C19 · The complete matched C source travels with this offer; an adult can read it. It is ordinary taught material, not an unseen case.
First adult words and steps:
- Let your child show one chosen piece, or keep it private and answer the supplied reader question. Ask ‘What would help someone use this?’ rather than demanding a performance.
- Read the matched fictional source together. Ask which reader or character the child wants to help. Use the child direction: ‘Pick one piece. Tell what it helps someone do. Show one choice you made.’
- Offer scrap paper, objects, pointing, speech/sign or exact dictation. Stop after one useful small piece; no class workbook or internet is required.
Later adult words and steps:
- Invite the child to show one part and explain it using the source. If useful, ask the supplied reader question or reread the relevant source detail.
- Judge the chosen work’s usefulness and supported explanation. Do not reward number of pages, public confidence or disclosure of private experiences.
- If you supply a word, answer, model or pen work, say so in a note. Keep the piece private unless you and the child choose a permitted reader. This offer is not an independent assessment by itself.
Child: Pick one piece. Tell what it helps someone do. Show one choice you made.
Return to the second matched ordinary source C20 for the same day's purpose, introducing its full source first. Do not quietly switch to a different day or held case.
5–15 minutes suggested, unpiloted; stop, shorten or resume.
Ten larger projects
X01 · Day41 · Ask a question that helps someone · a small project
Make a pocket question station: one folded scrap card holds the reader and question, with a loose blank card for the answer. Try it once and improve the wording.
Sources: C01, C02
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Make a pocket question station: one folded scrap card holds the reader and question, with a loose blank card for the answer. Try it once and improve the wording.
- Make a small first version using the day's child direction: ‘Who is it for? Ask one useful question. Leave space for the answer.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Notice whether the question has a reader, a usable choice or focus, and a purpose. Record any prompting. Do not infer actual turn-taking from the finished card.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X02 · Day42 · Tell what the answer actually says · a small project
Create a repair handover envelope containing the response and a clear message, so another person can understand the pretend costume job without asking for the story again.
Sources: C03, C04
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Create a repair handover envelope containing the response and a clear message, so another person can understand the pretend costume job without asking for the story again.
- Make a small first version using the day's child direction: ‘Read the answer. Tell it clearly. Put your new idea in a different sentence.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Look for an accurate choice and supplied reason, and a signalled new suggestion. Do not require the adult’s model wording or invent a factual property for the item.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X03 · Day43 · Choose how strong your words sound · a small project
Make a movable speech-bubble strip for a play rehearsal, with one invitation and one clear instruction kept distinct.
Sources: C05, C06
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Make a movable speech-bubble strip for a play rehearsal, with one invitation and one clear instruction kept distinct.
- Make a small first version using the day's child direction: ‘Try the words aloud or silently. What changes? Choose words that fit the job.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Notice whether a child relates a specific word to force and the reader’s purpose. Accept justified differences; do not grade personality or one supposed ‘correct’ emotional reaction.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X04 · Day44 · Give related ideas a home · a small project
Build a two-panel repair-table display that folds flat. One panel explains the problem; the other records the supplied choice and the proposed next action.
Sources: C07, C08
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Build a two-panel repair-table display that folds flat. One panel explains the problem; the other records the supplied choice and the proposed next action.
- Make a small first version using the day's child direction: ‘Keep ideas that belong together. Start a new group when the job changes.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Look for a meaningful title, related grouping and a reason for a move. Do not mistake a neat layout or an adult scribed paragraph for independent composition.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X05 · Day45 · Let a character notice something different · a small project
Make a reversible mini theatre: one side shows the captain’s view, the other the pebble’s. Use identical event cards so the perspectives can be compared.
Sources: C09, C10
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Make a reversible mini theatre: one side shows the captain’s view, the other the pebble’s. Use identical event cards so the perspectives can be compared.
- Make a small first version using the day's child direction: ‘Whose eyes are we using? Keep the event. Change what the character notices.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Look for a preserved event and a specific changed noticing or language effect. Preferences need a reason tied to the story, not agreement with the teacher’s taste.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X06 · Day46 · Same topic, different reader · a small project
Make a two-sided visitor card: route information on one side and a short imaginative scene on the other, labelled so the reader knows the different jobs.
Sources: C11, C12
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Make a two-sided visitor card: route information on one side and a short imaginative scene on the other, labelled so the reader knows the different jobs.
- Make a small first version using the day's child direction: ‘Who is this for? What does it help them do? Show one clue.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Notice an audience-purpose match and a specific clue. An extending image adds or clarifies meaning; it is not simply a decorative picture.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X07 · Day47 · Edit the little marks that change meaning · a small project
Build a flip label with one-owner and several-owner phrases. Include a contraction flap showing the complete words, so a reader can test the mark’s job.
Sources: C13, C14
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Build a flip label with one-owner and several-owner phrases. Include a contraction flap showing the complete words, so a reader can test the mark’s job.
- Make a small first version using the day's child direction: ‘What does the sentence mean? Put the mark where it helps show that meaning.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Notice whether the apostrophe’s position fits the supplied meaning and whether the child distinguishes contraction from possession. A copied final model is not an unseen first response.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X08 · Day48 · Find a word, then check the whole sentence · a small project
Make a pocket reader-help strip with three selected words and complete sentences. Test it with a willing reader and keep only help they find useful.
Sources: C15, C16
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Make a pocket reader-help strip with three selected words and complete sentences. Test it with a willing reader and keep only help they find useful.
- Make a small first version using the day's child direction: ‘Try the word. Check the sentence. Ask for help if the pattern is new.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Record the actual sound-letter/word-part strategy, self-correction and conditions. Keep high-frequency/homophone spelling, oral reading and listening comprehension separate.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X09 · Day49 · Make a tiny report for a real job · a small project
Create a portable tiny report stand with a removable first draft and a chosen revised draft. Add a paper pocket for the response source so a teacher can review it.
Sources: C17, C18
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Create a portable tiny report stand with a removable first draft and a chosen revised draft. Add a paper pocket for the response source so a teacher can review it.
- Make a small first version using the day's child direction: ‘Pick your reader. Make a useful message. Ask what is clear and what needs work.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Notice audience fit, source-faithful supporting detail and a reasoned edit/retention. Do not claim two saved versions demonstrate independent drafting or actual delivery on their own.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
X10 · Day50 · Choose your strongest example and share it your way · a small project
Build a fold-flat mini portfolio with a source pocket, one selected message and a removable change card. It should take a reader to the useful part in a few clear steps.
Sources: C19, C20
- Read or hear both complete matched sources. Choose one of their readers, character views or practical jobs.
- Build a fold-flat mini portfolio with a source pocket, one selected message and a removable change card. It should take a reader to the useful part in a few clear steps.
- Make a small first version using the day's child direction: ‘Pick one piece. Tell what it helps someone do. Show one choice you made.’
- Try it with a willing reader, or use the supplied reader question/answer. Record which was used. Nobody has to interview or perform publicly.
- Choose one useful change or explain one part you keep. Put the source note and any adult help beside the work.
Use the other complete matched source for a second version after introducing it; compare reader fit rather than page count.
Judge the chosen work’s usefulness and supported explanation. Do not reward number of pages, public confidence or disclosure of private experiences.
20–40 minutes across sittings, unpiloted; ordinary teaching and feedback, not a scored assignment.
Ten true blank worksheet briefs
W01 · Day41
Labels outside empty areas:
- Reader
- what they need to decide
- my question
- answer or ‘not answered’
- what I would change
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C01
Use a pretend name/job or no name. Page is optional and can be kept private.
Notice whether the question has a reader, a usable choice or focus, and a purpose. Record any prompting. Do not infer actual turn-taking from the finished card.
W02 · Day42
Labels outside empty areas:
- Source I used
- answer words
- my report
- optional suggestion
- detail I checked
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C03
Use a pretend name/job or no name. Page is optional and can be kept private.
Look for an accurate choice and supplied reason, and a signalled new suggestion. Do not require the adult’s model wording or invent a factual property for the item.
W03 · Day43
Labels outside empty areas:
- Same proposal
- first wording
- second wording
- changed word
- my choice and reason
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C05
Use a pretend name/job or no name. Page is optional and can be kept private.
Notice whether a child relates a specific word to force and the reader’s purpose. Accept justified differences; do not grade personality or one supposed ‘correct’ emotional reaction.
W04 · Day44
Labels outside empty areas:
- Title
- group one
- group two
- sentence I moved
- why the move helps
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C07
Use a pretend name/job or no name. Page is optional and can be kept private.
Look for a meaningful title, related grouping and a reason for a move. Do not mistake a neat layout or an adult scribed paragraph for independent composition.
W05 · Day45
Labels outside empty areas:
- Shared event
- chosen character
- what they notice
- my retelling
- a word that changes the mood
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C09
Use a pretend name/job or no name. Page is optional and can be kept private.
Look for a preserved event and a specific changed noticing or language effect. Preferences need a reason tied to the story, not agreement with the teacher’s taste.
W06 · Day46
Labels outside empty areas:
- Reader and job
- chosen text
- clue
- image adds
- my caption or description
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C11
Use a pretend name/job or no name. Page is optional and can be kept private.
Notice an audience-purpose match and a specific clue. An extending image adds or clarifies meaning; it is not simply a decorative picture.
W07 · Day47
Labels outside empty areas:
- Intended meaning
- first sentence
- my edit
- apostrophe job
- meaning check
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C13
Use a pretend name/job or no name. Page is optional and can be kept private.
Notice whether the apostrophe’s position fits the supplied meaning and whether the child distinguishes contraction from possession. A copied final model is not an unseen first response.
W08 · Day48
Labels outside empty areas:
- Selected word
- part or pattern
- complete sentence
- what I checked
- support I used
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C15
Use a pretend name/job or no name. Page is optional and can be kept private.
Record the actual sound-letter/word-part strategy, self-correction and conditions. Keep high-frequency/homophone spelling, oral reading and listening comprehension separate.
W09 · Day49
Labels outside empty areas:
- Reader
- source
- first message
- reader’s question or supplied question
- kept/changed and why
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C17
Use a pretend name/job or no name. Page is optional and can be kept private.
Notice audience fit, source-faithful supporting detail and a reasoned edit/retention. Do not claim two saved versions demonstrate independent drafting or actual delivery on their own.
W10 · Day50
Labels outside empty areas:
- Chosen piece
- reader and job
- source/help note
- kept/changed
- next thing I want to try
Leave every labelled response interior truly empty. Labels and optional source reference stay outside the work area. Expand spaces for writing/drawing, offer loose paper or dictate onto an empty page. Do not put a worked model, faint answer, prompt answer or criterion inside a child response area.
Ordinary complete teaching source, available during work. Matched source: C19
Use a pretend name/job or no name. Page is optional and can be kept private.
Judge the chosen work’s usefulness and supported explanation. Do not reward number of pages, public confidence or disclosure of private experiences.
Ten original written read-alouds
NARR01 · Day41 · Ask a question that helps someone · original written read-aloud
At the tiny book corner, Pip made a sign: ‘Ask me anything!’ The first visitor asked where the socks lived. The second asked whether clouds had pockets. Pip laughed, then noticed the new reader still needed a quiet place. Pip made a smaller sign: ‘Window seat or cushion away from the door?’ This time the visitor could answer. A smaller question had done a useful job.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR02 · Day42 · Tell what the answer actually says · original written read-aloud
Mara picked the soft-handled bag. ‘The handles feel comfortable,’ she said. Kit wrote, ‘Mara chose the bag because it can fly.’ Mara blinked. The bag sat firmly on the table. Kit crossed out the flying bit and read the answer again. ‘Comfortable handles,’ Kit said. Then Kit added a new sentence: ‘I suggest a name label.’ The answer and the new idea could both fit, once they had their own places.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR03 · Day43 · Choose how strong your words sound · original written read-aloud
The paper dragon said, ‘You must clap right now!’ The paper mouse folded its ears. Then the dragon tried, ‘You could clap at the end, if you like.’ The mouse held up a little star. ‘I might wave this instead,’ it said. Nobody’s wings fell off. The dragon discovered that a rehearsal could have choices, and a clear instruction for putting the puppets away afterwards.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR04 · Day44 · Give related ideas a home · original written read-aloud
At the paper kite table, a note said: ‘Blue star. Tear near the corner. Round patch. Jo likes the blue star. The string is on the chair.’ The helper kept turning the note around. Jo made two little homes for the ideas: ‘Repair’ and ‘Decoration choice’. The words had not learned to fly, but the reader could finally find what they needed.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR05 · Day45 · Let a character notice something different · original written read-aloud
The ferry went plop-plop into the pretend harbour. Captain Dot gripped the paper rail. On the bank, Pebble Bea thought the sound was hilarious. Dot saw a steep little wave. Bea saw a boat doing a wobbly dance. The ferry reached the other side. Dot planned another trip, but that trip had not happened yet. Two characters had watched one arrival and noticed very different things.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR06 · Day46 · Same topic, different reader · original written read-aloud
The snail had two garden cards. One said, ‘Seed table: follow the dotted path past the cardboard gate.’ The other said, ‘The gate sneezed, and Snail slid through a shower of paper stars.’ Snail enjoyed the sneeze story. When it needed the seed table, it chose the route card. A large labelled sign in the drawing helped Snail spot the destination. The two cards could be useful for different jobs.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR07 · Day47 · Edit the little marks that change meaning · original written read-aloud
Sam’s pouch rolled under the toy bench. The sign said, ‘Dont move Sams pouch.’ Jo brought two tiny apostrophe cards. One helped ‘don’t’ show the missing letter. The other showed that the pouch belonged to Sam. At the next shelf, three players shared a box. Their label needed the apostrophe after the plural s. Tiny marks had two different jobs, and the reader could now tell whose things were whose.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR08 · Day48 · Find a word, then check the whole sentence · original written read-aloud
The puppet note said, ‘We can replay the scene.’ Min knew ‘play’ and asked about the little part at the front. ‘Here, re- means again,’ the teacher explained. Min tried the whole sentence and it made sense. The next note said, ‘Come here to hear the music.’ The two words sounded alike, but their jobs were different. Min kept both sentences on a help strip instead of guessing from the picture.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR09 · Day49 · Make a tiny report for a real job · original written read-aloud
Nia made a report for the toy activity corner. The first line said, ‘This one is good.’ The reader asked, ‘Which one, and good for what?’ Nia pointed to the folded pocket space and changed the line: ‘The folded pocket space keeps the small story cards together.’ Nia kept the funny star drawing because it helped the intended reader find the card. One part changed, one part stayed, and both choices had a reason.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?
NARR10 · Day50 · Choose your strongest example and share it your way · original written read-aloud
The tiny exhibition had no tallest tower prize. One child brought a clear question, another a funny pebble story, and another a label that finally showed whose pouch it was. The readers tried the pieces. They asked questions. The makers chose what to change and what to keep. At the end, each maker had a small handover, not a mountain of pages, and one idea for what to try next.
Written script only. No synthesized speech, audition, recording, accent/language approval or audio asset exists.
A familiar adult may read at a comfortable pace, pause for choice and skip any sound performance. Provide this full text with later audio. Never require headphones, microphone or recording.
Optional questions:
- What happened or what was the job?
- Which words help you work that out?