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Foundation / Music / Term 1 / Weeks 03 04

Development draft · local review needed

Educator prompts, response choices and record cuesFoundation Music · T1 W3–4 · Prompts

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Use the child-facing question in a calm tone and accept pointing, AAC, a card, drawing, dictated words or a pass. Do not “perform the right answer” during a fresh check. Never ask why a child chose a route or infer sensory ability from it.

Day Short prompt
11 “Where could four steady beat places go? Show them and tell me what your paper idea is for.”
12 “Which one of the four would you like to mark as special? How many beat marks stay?”
13 “Both have four beats. Which plan has more time between beats? Which has less?”
14 “Can one star move to the finish while the four beats stay where they are?”
15 “Keep the four marks. Put the one star where the new visitor plan asks.”
16 “Which row holds the steady beat? Which place has the one answer?”
17 “What stays when the answer enters one place later?”
18 “Choose one answer place. What do you want that timing to suggest?”
19 “Who made this score? Would you like to share it with a willing person, rehearse on paper or pass?”
20 “Keep the four beat marks; add one answer after the third. Show me why it fits.”

Record language: “Child placed star at count 4” is observable. “Child heard an accent,” “played accurately,” “helped a person,” and “audience enjoyed it” require direct, separate evidence. In a candidate-audio session, record whether the approved cue was actually played, whether a child chose to hear it and their own words, without turning silence into a deficit. For a real work, record maker, permission and source context before citing AC9AMUFE01. For a real audience, record who was willing and whether score or sound was actually shared before citing AC9AMUFP01.