SubjectNest resource library

Foundation / Media Arts / Term 1 / Weeks 01 02 / Teacher

Development draft · local review needed

Separate teacher key and next stepsFoundation Media Arts · T1 W1–2 · Teacher · Key And Next

Download editable text
Teacher copy · prompts and answer keys

Teacher copy: This page may include teaching prompts or answer keys. Answer keys in this public library can be viewed by anyone. Give learners a clean prompt, use checks as formative evidence, and change a case locally when prior access matters.

Open after saving the child's first G/H choice. Accept large cards, raised frames, drawing, AAC or neutral scribing. In open play, a different coherent visual story can be valued; each specified check has the constrained answer below. A paper answer does not prove camera/editing/audio skill, visual acuity, real viewer reaction or full curriculum achievement.

Check A · G

Starting EMPTY BOX → TRIANGLE IN BOX; to suggest exit while keeping both images, reverse their order: TRIANGLE IN BOX → EMPTY BOX. It is one order operation (a two-panel swap), not a change to either image. The child's intended possible reading is recorded, not imposed on a viewer. If they draw a new triangle or remove it from a picture instead, later practise keeping panels fixed while swapping positions; do not overwrite the first response.

Check B · H

Starting CIRCLE LEFT / CIRCLE MIDDLE / CIRCLE RIGHT. Keep frames 1 LEFT and 2 MIDDLE; change frame 3 RIGHT → LEFT. Answer: CIRCLE LEFT / CIRCLE MIDDLE / CIRCLE LEFT. One final frame changes and the token returns to its starting paper position. Showing a work to a real willing person can provide limited audience evidence; puppet-only rehearsal/pass does not. Online publication or photography is neither required nor authorised here.

Ten quick evidence and next-teaching rows

Day Record observable evidence Next teaching if uncertain
1 Square L/M/R order and child intended story. Number frames and move one fixed square card at a time.
2 Same two pictures, swapped order, intended possible reading. Compare images before and after swap; no new drawing needed.
3 Wide versus close crop and missing context described accurately. Keep both objects fixed, move only raised border.
4 Held image, chosen caption/object and reason. Overlay caption cards under one image.
5 First G order and reason before key. After check use unrelated two-panel swap and revisit order.
6 Frames 1–2 held, chosen final position and reason. Cover frame 3 then reveal two ending options.
7 Held image sequence, child-chosen clue or no clue. Compare same frames with two optional caption cards.
8 Three child-selected frames and intention; note adult input. Offer blank frames and ask child to direct one position at a time.
9 Real maker/source question; actual recipient or rehearsal/pass. Arrange authorised real-media encounter and willing viewer later.
10 First H final-frame change and actual share if any. Use other token/position practice, then revisit final-change rule.

Boundary: For AC9AMAFE01 encounter real authorised media and maker/community context. For AC9AMAFP01 document actual willing-audience sharing. For broader production skills, plan accessible opportunities with local tools later. Do not infer privacy consent, diagnosis, emotional response or tool skill from a paper route.