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Foundation / Music / Term 1 / Weeks 09 10

Development draft · local review needed

Short prompts and precise observationsFoundation Music · T1 W9–10 · Prompts

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Accept cards, drawing, pointing, AAC, a neutral reader/scribe or pass. During O/P, save the child's first full answer before modelling the solution. No child owes a reason for access route or withdrawal.

Day Say or show
41 “Can the answer copy all four marks from the call?”
42 “Keep the first phrase. Which one reply mark will change?”
43 “Which broad role goes first, and where does the arrow lead?”
44 “Which reply is your choice? What is different inside it?”
45 “Keep the unfamiliar first J. Change only the named answer place.”
46 “If these are source labels, what sound is still only a plan?”
47 “After the source cards trade places, what rhythm marks stayed?”
48 “What two-phrase musical idea did you make? What is your intended effect?”
49 “Who made the authorised real work? Would you like someone willing to receive your score or pass?”
50 “Keep first V; change the specified reply mark and its source label.”

Record precisely: “Child planned an answer and marked a hand-off” is supported by a score. “Child heard two pitches,” “played the answer in time,” “two children took turns,” “listener understood it,” and “the real work served a particular community purpose” each need their own observed or maker-sourced evidence. Source cards and synthetic candidate cues cannot fill those gaps.